This edition draws from the original Bordogni etudes for voice, the Rochut transcriptions for trombone (produced around ) and Bordogni’s original piano. I attribute a large part of my sound and flow concepts to these etudes. In early , I decided to record my way through the Joannes Rochut books as a way to . Giulio Marco Bordogni (23 January – 31 July ), usually called Marco Bordogni, was These études were arranged by Joannès Rochut, then principal trombonist of the Boston Symphony Orchestra. The études had been transcribed .

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Allard and Couillaud were the chickens; Rochut was the egg.

Marco Bordogni – Wikipedia

As a result, the music is easier to read—gone are the chunky note heads, blurry flags and drop-out of the edition. Login Your shopping cart is empty. Buzzing along with the CD in the car is a fun and easy, no-hands approach that not only serves as a good warm-up, but improves clarity of borxogni and flexibility with pleasant melodies rather than rigid exercise. That being said, Raph has managed to work in a few improvements, notably numbers 66, 77, 80, 81, 83, 88 and Therefore, I’ve reprinted the old Forward below for your enjoyment.

Bordogni Vocalises (Rochut) in bass clef – Vol.1 (24 pieces) – with piano acc. on CD

Now that they have the CD versions you have done, they don’t know how they ever played them without I had one girl yesterday who sang the piano intro before she began playing pretty darned neat! In addition, some though not all of the problematic page turns have been eliminated or mitigated.

He was a product of the Bergamo tenor school which originated with Giacomo David and Gaetano Crivelliand in which can be counted, in addition to David’s two best pupils namely his son Giovanni and Andrea Nozzariboth notable in Rossini ‘s operasand besides Bordogni himself, also Domenico Donzelli and Giovanni Battista Rubini.


Marco Bordogni, the composer of these studies, was born near Bergamo, Italy in The included CD contains both recorded and printed piano accompaniments. I’m not sure why. Brass Boddogni Codes Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example: There is no low brass.

Views Read Edit View history. Which begs the question: Later he sang for many years at the Theatre des Italiens, Paris.

Note also that the separate euphonium part is attached to trombone with a plus sign. Development of sonorous, singing tone in various registers and all shades of dynamics. The lengthy material contained in volume rodhut presents sometimes insurmountable page turn issues, so some do remain.

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This edition features new engraving musical typesetting. Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:. Also, it should be noted that Euphonium can be doubled by either Trombone or Tuba.

Bordogni was born in Gazzaniganear BergamoItaly. Percussion is abbreviated following the brass. This page was last edited on 5 Septemberat Beethoven Symphony No 1 in C, op 21 [2,2,2,2,0,0, tymp, ].

Other benefits of the book are that there are 3 etudes provided again in different keys at the end of the book, and 2 etudes with faster tempos although in one of these cases it is difficult to make music at such a tempo. If so, why did he not credit Allard and Couillaud as rochuy composers?

The elusive “Rochut No. 1.”

Rocut first number stands for Violinthe second for Violathe third for Celloand the fourth for Double Bass. And finally, here is one more way to visualize the above code sequence: This edition draws from the original Bordogni etudes for voice, the Rochut transcriptions for trombone produced around and Bordogni’s original piano accompaniments.

Multiples, if any, are not shown in this system. The system used above is standard in the orchestra music field. The Bordogni Vocalises have been transcribed by David Schwartz for trombone or euphonium.


In the third example, we have borogni rather extreme use of the system.

Letters that are duplicated as in A in this example indicate multiple roxhut. Nor was number 1 conceived with a bordognu part. He died in Paris July 31, Rochut really hits the mark with his comments, as many are contemporary in their instruction. The first set of numbers before the dash represent the Woodwinds. This is standard orchestral nomenclature. These are largely offset by the removal of many ugly ones elsewhere. View Shopping Cart Woodwind Instrumentation Codes Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example:.

Strings are a standard configuration 4 first violin, 4 second boedogni, 3 viola, 2 cello, 2 bass. Whenever this occurs, we will separate the first four digits with commas for clarity.

Titles listed in our catalog without bracketed numbers are assumed to use “Standard Instrumentation. Correct and rational performance of the various ornaments in music, brodogni as rochur appogiatura, acciaccatura, grupetto or turntrills, etc. While this instrumentation has come to be common, it is still not “Standard” obrdogni many Brass Dectets use very different forces, most often with more Horns than PJBE.

Some of these century-old blurbs are amusing to say the least, but this one is still, in my mind, quite relavent. In this case, the winds are all doubled 2 flutes, 2 oboes, 2 clarinets and 2 bassoonsand there are two each horns and trumpets. By and large, this is a more useful edition than the old.

And on page 12, exercise 11 is found: Retrieved from ” https: From Wikipedia, the free encyclopedia. Raph’s new accompaniment is written in a similar style to that of Bordogni, with perhaps a little more harmonic interest.