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For each pad hit, the XR10 records the pad and the Bank it’s in. Rhythms can be recorded into the XR10’s User pattern memory using an external MIDI instrument xrr10 an Octopad, and the good news here is that dynamics are recorded – though they appear to be quantised to one of 15 levels, in accordance with the way that dynamics are entered in step-time. The 24 rubber pads spread across the msnual part of the XR10’s front panel include 15 non-dynamic pads for triggering the Sounds – an already healthy number which is effectively expanded to by the inclusion mnaual ten Pad Banks, or “drumkits”, the first five of which have fixed Sound-to-pad assignments.
One thing these instruments have in common akal sonic expandability – the MPC60 because it can sample, the XE8 because it can avail itself of a dedicated sample-card library.
CONS – edit interface – cheap built. The Preset Sounds themselves are consistently impressive, and offer a good deal of variety in the kit and Latin percussion departments – though not much of anything else.
AKAI XR10 OPERATOR’S MANUAL Pdf Download.
In fact, every time you mabual Pattern Record mode you first have to either set a new tempo or agree the currently-set one.
In real-time record you can set the metronome click rate from quarter to 16th notes or off and the record quantisation from quarter to 48th notes or off majual maximum resolution ; these values can be changed at any time, so you’re not limited to one quantisation value per pattern, and you can switch off the metronome after you’ve put down a beat.
When the pattern is Stopped you can use the Erase pad to erase the entire pattern, but not, unlike on some drum machines, an individual instrument part. The XR10 is a big improvement on Akai’s XE8 drum expander, has its own distinct character, and overall is a welcome addition at the manuaal end of the market.
The 50 rhythm Presets, which are listed across the XR10’s front panel for ready manua, include the Latin rhythm staples of mamual preset machine – samba, mambo, cha cha, beguine, bossa nova, rhumba and salsa. The XR10 loops continuously in real-time record mode in familiar xrr10, allowing you to overdub new parts on each pass. That’s a fairly healthy number to start with, and in practice you can extract a greater diversity of sounds by tuning, reversing and pitch-sweeping these samples.
Each Preset Sound has 12 parameters: Each User pattern can be assigned its own tempo bpm. Each Song can have a maximum of 99 steps or bars, with each step consisting of one Preset or one User pattern. Erasing instruments is accomplished in a similarly traditional manner, by holding down the Erase pad together with the appropriate instrument pad one at a time ; if you only want to erase a specific beat or series of beats, you only hold down the akak pad during those beats.
The conventional practice would be to switch between different patterns within the currently-selected Preset, but why stop there? It’s nice to see that they’re acknowledging the existence of such rhythms, but you won’t find any classic beats among them, nor any which are particularly riveting, except perhaps for one or two of the dance and electro rhythms. THE XR10 PROVIDES you with ten kicks, ten snares, two rimshots, three hi-hats closed, mid and open12 toms 4 x low, mid and hightwo crash cymbals, one ride cymbal, one choke cymbal, handclaps, finger click, four congas, vibraslap, two guiros, cabasa, tambourine, orchestral hit, triangle low and high, cowbell, claves, whistle, squeak low and high, timbales low and high, agogo low and high, and chop a slapped bass.
The manual gives no indication of the XR10’s note storage capacity, but after indulging in some pattern-copying to fill up the memory I’d estimate it at just short of notes, which means you’re unlikely to be able to record 99 four-bar patterns unless you’re into very sparse rhythms. Expanding the spontaneity of the preset ethos into the programmable world wouldn’t go amiss – and selecting rhythms by tapping a pad certainly offers a more spontaneous alternative to the usual practice of entering pattern numbers via a numeric manuap.
With the MPC60 they effectively brought the manusl and the maanual to the beatbox, while xt10 XE8 drum expander dropped onboard sequencing altogether.
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Still, that’s enough on this subject. Additionally, if you’ve set Auto Scan to on, the XR10 automatically stops at the next or previous sr10 when you’re fast-scrolling.
As with playing the XR10 from its own pads, you can only play more than one version of a Preset Sound if you’ve made User Sound akaj of it. It turns out that the XR10 counts up the notes as it plays through a pattern, including any notes which are being recorded at the time, and when it reaches the mark not only does it refuse to play any more notes but it also wipes out any notes which exist from that point on in the pattern. XE-8 Rackmount percussion expander is similar but with a different soundset.
If you select Sounds which you don’t want to use internally, you can incorporate external percussion sounds or a bassline, for instance, into an XR10 pattern. The variations, which are the main rhythms, are each two bars mankal, but you can get the XR10 to play either the first or the second bar by holding down the Timing Correct pad and tapping the relevant Variation pad first bar or Aai pad second bar.
Roll on the customisable instrument which allows musicians to configure the LCD pages in a way which suits them. PROS – some great samples – old school.
All the samples have plenty of presence and dynamism – you couldn’t accuse the XR10 of sounding wimpy, by any stretch of the imagination. The XR10 also has maual of another kind, namely preset rhythms.
Meanwhile, if you hold down the Timing Correct pad and an instrument pad you can record a series of notes at a fixed quantisation anything from 8th to 96th notes.
Not that Akai have ignored the drum machine. The drum machine always plays the Sounds programmed on each step, so with the various scrolling options available to you, it’s easy to listen to a pattern in more-or-less real time while you’re in step-time mode.
Overall it has a very contemporary sound, which means that it doesn’t go out of its way to sound like either real drums or a real drummer. Now, what if I said to you that you could run out of memory while recording a pattern even if you had plenty of memory left? Gear in this article: As well as being able to repeat each individual step up to seven times, you can bracket any individual step or series of steps and repeat the step s within the brackets up to three times; in fact, you can nest up to three levels of brackets, each of which can be repeated up to three times.
All this can go on within one Song step if you want, but the idea is more that you can repeat sections within sections within sections of a Song – providing you can keep track of what you’re doing. Also, in order to erase a part recorded in this way, the relevant Sound has to be assigned to one of the XR10’s instrument pads first. In fact, Akai’s new budget drum machine is both – does it combine the best of both worlds?